{"id":3519,"date":"2025-08-21T06:16:38","date_gmt":"2025-08-21T06:16:38","guid":{"rendered":"https:\/\/www.mallandmotto.com\/?p=3519"},"modified":"2025-08-21T06:16:39","modified_gmt":"2025-08-21T06:16:39","slug":"kurulusunun-20-yilinda-pera-muzesinden-yeni-sergiler","status":"publish","type":"post","link":"https:\/\/www.mallandmotto.com\/index.php\/2025\/08\/21\/kurulusunun-20-yilinda-pera-muzesinden-yeni-sergiler\/","title":{"rendered":"Kurulu\u015funun 20. Y\u0131l\u0131nda, Pera M\u00fczesi\u2019nden Yeni Sergiler"},"content":{"rendered":"\n

Kurulu\u015funun 20. y\u0131l\u0131nda sanatseverleri art arda sergilerle bulu\u015fturan Pera M\u00fczesi, sonbahar\u0131 iki yeni sergiyle kar\u015f\u0131l\u0131yor.\u00a0Ortak Duygular: British Council Koleksiyonu\u2019ndan Yap\u0131tlar<\/em>, 29 sanat\u00e7\u0131n\u0131n\u00a0eserleri arac\u0131l\u0131\u011f\u0131yla koleksiyon ve kurumlar\u0131n yaln\u0131zca ge\u00e7mi\u015fi muhafaza etmekle kalmay\u0131p g\u00fcn\u00fcm\u00fcz\u00fcn toplumsal ve politik dinamikleriyle g\u00fc\u00e7l\u00fc ili\u015fkiler kurma potansiyeline odaklan\u0131yor.\u00a0\u0130sve\u00e7li sanat\u00e7\u0131 \u00c5sa Jungnelius\u2019unT\u00fcrkiye\u2019deki ilk ki\u015fisel sergisi\u00a0Toprak, Ate\u015f, Su ve Havayla Yaz\u0131lm\u0131\u015f Bir Dize\u00a0<\/em>isecam ve ta\u015f\u0131n etkile\u015fiminden yola \u00e7\u0131karak malzeme ile insan aras\u0131ndaki ili\u015fkiyi ara\u015ft\u0131r\u0131yor.<\/strong><\/h3>\n\n\n\n

Suna ve \u0130nan K\u0131ra\u00e7 Vakf\u0131 Pera M\u00fczesi<\/strong>, 20. kurulu\u015f y\u0131l\u0131nda, sanatseverleri sonbaharda a\u00e7\u0131lacak iki g\u00fc\u00e7l\u00fc sergiyle bulu\u015fturmaya haz\u0131rlan\u0131yor. Ortak Duygular: British Council Koleksiyonu\u2019ndan Yap\u0131tlar<\/em><\/strong>, British Council Koleksiyonu\u2019ndan 29 sanat\u00e7\u0131n\u0131n <\/strong>eserleri arac\u0131l\u0131\u011f\u0131yla koleksiyon ve kurumlar\u0131n yaln\u0131zca ge\u00e7mi\u015fi muhafaza etmekle kalmay\u0131p g\u00fcn\u00fcm\u00fcz\u00fcn toplumsal ve politik dinamikleriyle g\u00fc\u00e7l\u00fc ili\u015fkiler kurma potansiyeline odaklan\u0131yor.  \u0130sve\u00e7li sanat\u00e7\u0131 \u00c5sa Jungnelius<\/strong>\u2019un T\u00fcrkiye\u2019deki ilk ki\u015fisel sergisi Toprak, Ate\u015f, Su ve Havayla Yaz\u0131lm\u0131\u015f Bir Dize<\/em><\/strong> ise malzeme ile insan aras\u0131ndaki ili\u015fkiyi fonksiyonel objeler ve cam\u0131n sanatsal anlat\u0131lardaki yolculu\u011fu \u00fczerinden ara\u015ft\u0131r\u0131yor. <\/p>\n\n\n\n

Ortak Duygular: British Council Koleksiyonu\u2019ndan Yap\u0131tlar<\/em><\/strong><\/p>\n\n\n\n

K\u00fcrat\u00f6rl\u00fc\u011f\u00fcn\u00fc Ulya Soley<\/strong>\u2019in \u00fcstlendi\u011fi Ortak Duygular: British Council Koleksiyonu\u2019ndan Yap\u0131tlar<\/em><\/strong>, British Council Koleksiyonu\u2019ndan se\u00e7ilen 29 sanat\u00e7\u0131n\u0131n yap\u0131tlar\u0131n\u0131 g\u00fcncel ve spek\u00fclatif bir yakla\u015f\u0131mla ele al\u0131yor. 1930\u2019lardan bu yana olu\u015fturulan ve yakla\u015f\u0131k 9 bin eserden olu\u015fan koleksiyon, 20. ve 21. y\u00fczy\u0131l Birle\u015fik Krall\u0131k sanat\u0131na odaklan\u0131yor. Kal\u0131c\u0131 bir serginin par\u00e7as\u0131 olmayan ve a\u011f\u0131rl\u0131kl\u0131 olarak uluslararas\u0131 sergilere \u00f6d\u00fcn\u00e7 verilen bu de\u011ferli koleksiyon \u201cduvarlar\u0131 olmayan m\u00fcze\u201d olarak da an\u0131l\u0131yor.<\/p>\n\n\n\n

Sergi, \u201c\u00d6zeni Korumak\u201d<\/strong>, \u201cTan\u0131d\u0131k Y\u00fczler\u201d<\/strong> ve \u201cHayali Gelecek\u201d<\/strong> ba\u015fl\u0131klar\u0131 alt\u0131nda, koleksiyonlar\u0131n yaln\u0131zca ge\u00e7mi\u015fi korumakla kalmay\u0131p g\u00fcn\u00fcm\u00fcz\u00fcn toplumsal ve politik dinamikleriyle nas\u0131l g\u00fc\u00e7l\u00fc ba\u011flar kurabilece\u011fini ara\u015ft\u0131r\u0131yor.<\/p>\n\n\n\n

Sergide eserleri yer alan sanat\u00e7\u0131lar ise \u015f\u00f6yle: Larry Achiampong, Laura Aldridge, Ed Atkins, Sonia Boyce, Jake and Dinos Chapman, Eileen Cooper, Tony Cragg, Tracey Emin, Jane England, Cerith Wyn Evans, Graham Fagen, Lucian Freud, Anya Gallacio, Gilbert and George, Richard Hamilton, Lubaina Himid, Damien Hirst, David Hockney, Michael Landy, Delaine Le Bas, Sarah Lucas, Kate Malone, Chris Ofili, Marc Quinn, Raqib Shaw, Wolfgang Tillmans, Suzanne Treister, Bedwyr Williams, Madame Yevonde.<\/strong><\/p>\n\n\n\n

British Council i\u015f birli\u011fi ile ger\u00e7ekle\u015fen ve uluslararas\u0131 \u00e7a\u011fda\u015f sanat\u0131n \u00f6nde gelen isimlerinin eserlerini sanatseverlerle bulu\u015fturan sergi, duygular\u0131n kapsay\u0131c\u0131 ve bula\u015f\u0131c\u0131 do\u011fas\u0131n\u0131n m\u00fczeleri dinamik birer kar\u015f\u0131la\u015fma alan\u0131na d\u00f6n\u00fc\u015ft\u00fcrebilece\u011fini g\u00f6zler \u00f6n\u00fcne seriyor.<\/p>\n\n\n\n

\u00c5sa Jungnelius: Toprak, Ate\u015f, Su ve Havayla Yaz\u0131lm\u0131\u015f Bir Dize<\/em><\/strong><\/p>\n\n\n\n

Elif Kam\u0131\u015fl\u0131<\/strong> k\u00fcrat\u00f6rl\u00fc\u011f\u00fcnde d\u00fczenlenen \u00c5sa Jungnelius: Toprak, Ate\u015f, Su ve Havayla Yaz\u0131lm\u0131\u015f Bir Dize<\/em><\/strong> sergisi, k\u0131r\u0131lganl\u0131\u011f\u0131yla tedirginlik uyand\u0131ran cam ile dayan\u0131kl\u0131l\u0131\u011f\u0131yla g\u00f6z dolduran ta\u015f\u0131n etkile\u015fiminden do\u011fuyor. Jungnelius\u2019un yak\u0131n d\u00f6nem cam ve mermer heykelleri, \u015ei\u015fecam\u2019\u0131n Denizli Cam fabrikas\u0131ndaki ustalar\u0131yla i\u015f birli\u011fi i\u00e7inde sergi i\u00e7in \u00fcretilen d\u00f6rt yeni b\u00fcy\u00fck \u00f6l\u00e7ekli eserle birlikte izleyiciyi malzemeyle kurulan ili\u015fki \u00fczerine d\u00fc\u015f\u00fcnmeye davet ediyor.<\/p>\n\n\n\n

\u015ei\u015fecam<\/strong>\u2019\u0131n eser \u00fcretim, Orrefors Kosta Boda<\/strong>\u2019n\u0131n nakliye sponsorlu\u011fu ve \u0130sve\u00e7 Konsoloslu\u011fu ve Ara\u015ft\u0131rma Enstit\u00fcs\u00fc\u2019n\u00fcn katk\u0131lar\u0131yla ger\u00e7ekle\u015fen serginin mek\u00e2n\u0131, hem durgunluk hem de yo\u011funluk hissi uyand\u0131ran bir peyzaj olarak tasarlan\u0131rken; tarihi cam objeler, arkeolojik buluntular, g\u00f6\u00e7ebe geleneklere dayanan el dokumas\u0131 ipler ve \u0130sve\u00e7li foto\u011fraf\u00e7\u0131 Peo Olsson<\/strong>\u2019un objektifinden, Jugnelius\u2019un Bitlis, Van ve Kars\u2019taki obsidiyen sahalar\u0131nda y\u00fcr\u00fctt\u00fc\u011f\u00fc ara\u015ft\u0131rmalar\u0131 belgeleyen foto\u011fraflar\u0131 bir araya geliyor.<\/p>\n\n\n\n

\u00dcfleme cam eserler ve mermer heykeller arac\u0131l\u0131\u011f\u0131yla tarih, i\u015flev, ustal\u0131k ve bilinmezlikle do\u011frudan ili\u015fki kuran Jungnelius, izleyiciye s\u00f6zc\u00fckler yerine varl\u0131k temelli bir deneyim sunuyor.<\/p>\n\n\n\n

Pera M\u00fczesi’nin kurulu\u015funun 20. y\u0131l\u0131nda sanatseverlerle bulu\u015fturmaya haz\u0131rland\u0131\u011f\u0131 Ortak Duygular: British Council Koleksiyonu\u2019ndan Yap\u0131tlar<\/em><\/strong> ve \u00c5sa Jungnelius: Toprak, Ate\u015f, Su ve Havayla Yaz\u0131lm\u0131\u015f Bir Dize<\/em><\/strong> sergileri 16 Eyl\u00fcl 2025 – 18 Ocak 2026 <\/strong>aras\u0131nda ziyaret edilebilecek.<\/p>\n","protected":false},"excerpt":{"rendered":"

Kurulu\u015funun 20. y\u0131l\u0131nda sanatseverleri art arda sergilerle bulu\u015fturan Pera M\u00fczesi, sonbahar\u0131 iki yeni sergiyle kar\u015f\u0131l\u0131yor.\u00a0Ortak Duygular: British Council Koleksiyonu\u2019ndan Yap\u0131tlar, 29 sanat\u00e7\u0131n\u0131n\u00a0eserleri arac\u0131l\u0131\u011f\u0131yla koleksiyon ve…<\/p>\n","protected":false},"author":6,"featured_media":3520,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[22],"tags":[],"class_list":["post-3519","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kultursanat"],"_links":{"self":[{"href":"https:\/\/www.mallandmotto.com\/index.php\/wp-json\/wp\/v2\/posts\/3519","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.mallandmotto.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.mallandmotto.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.mallandmotto.com\/index.php\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/www.mallandmotto.com\/index.php\/wp-json\/wp\/v2\/comments?post=3519"}],"version-history":[{"count":1,"href":"https:\/\/www.mallandmotto.com\/index.php\/wp-json\/wp\/v2\/posts\/3519\/revisions"}],"predecessor-version":[{"id":3521,"href":"https:\/\/www.mallandmotto.com\/index.php\/wp-json\/wp\/v2\/posts\/3519\/revisions\/3521"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.mallandmotto.com\/index.php\/wp-json\/wp\/v2\/media\/3520"}],"wp:attachment":[{"href":"https:\/\/www.mallandmotto.com\/index.php\/wp-json\/wp\/v2\/media?parent=3519"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.mallandmotto.com\/index.php\/wp-json\/wp\/v2\/categories?post=3519"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.mallandmotto.com\/index.php\/wp-json\/wp\/v2\/tags?post=3519"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}