{"id":7226,"date":"2025-10-29T13:50:59","date_gmt":"2025-10-29T13:50:59","guid":{"rendered":"https:\/\/www.mallandmotto.com\/?p=7226"},"modified":"2025-10-29T13:50:59","modified_gmt":"2025-10-29T13:50:59","slug":"istanbulun-hikayeleri-mesherin-cagrisimlar-panelinde-konusuldu","status":"publish","type":"post","link":"https:\/\/www.mallandmotto.com\/index.php\/2025\/10\/29\/istanbulun-hikayeleri-mesherin-cagrisimlar-panelinde-konusuldu\/","title":{"rendered":"\u0130stanbul\u2019un hik\u00e2yeleri Me\u015fher\u2019in \u201c\u00c7a\u011fr\u0131\u015f\u0131mlar\u201d Panelinde Konu\u015fuldu"},"content":{"rendered":"\n

Me\u015fher,\u00a0Hik\u00e2ye \u0130stanbul\u2019da Ge\u00e7iyor<\/em>\u00a0sergisi kapsam\u0131nda \u201c\u00c7a\u011fr\u0131\u015f\u0131mlar\u201d ba\u015fl\u0131kl\u0131 panelin ikincisini d\u00fczenledi. Panelde, farkl\u0131 disiplinlerden uzman isimler, serginin kendilerinde b\u0131rakt\u0131\u011f\u0131 izleri ve deneyimlerini payla\u015f\u0131rken, \u0130stanbul\u2019un sanat\u0131n \u00e7e\u015fitli alanlar\u0131nda ve haf\u0131zalardaki izlerini s\u00fcrd\u00fc.<\/strong>
<\/h3>\n\n\n\n

<\/p>\n\n\n\n

Me\u015fher, Hik\u00e2ye \u0130stanbul\u2019da Ge\u00e7iyor<\/em> sergisi kapsam\u0131nda d\u00fczenledi\u011fi \u201c\u00c7a\u011fr\u0131\u015f\u0131mlar\u201d ba\u015fl\u0131kl\u0131 panelinin ikincisini 9 Ekim 2025 tarihinde Divan \u0130stanbul\u2019da ger\u00e7ekle\u015ftirdi. Zeynep \u00c7elik, Leman Y\u0131lmaz, Jale Parla, Nisan Ak, Sad\u0131k Karamustafa, El\u00e7in Poyrazlar<\/strong> ve Tilbe Saran<\/strong>\u2019\u0131n konu\u015fmac\u0131 olarak kat\u0131ld\u0131\u011f\u0131 panelin a\u00e7\u0131l\u0131\u015f konu\u015fmas\u0131n\u0131 Me\u015fher direkt\u00f6r\u00fc Nil\u00fcfer H. Konuk<\/strong> yapt\u0131. Panelin moderat\u00f6rl\u00fc\u011f\u00fcn\u00fc ise Hik\u00e2ye \u0130stanbul\u2019da Ge\u00e7iyor<\/em> sergisinin k\u00fcrat\u00f6rleri Ebru Esra Sat\u0131c\u0131<\/strong> ve \u015eeyda \u00c7etin<\/strong> \u00fcstlendi.<\/p>\n\n\n\n

Sergideki eserlerden yola \u00e7\u0131karak \u0130stanbul\u2019un sanatta ve haf\u0131zalarda b\u0131rakt\u0131\u011f\u0131 izlerin farkl\u0131 bak\u0131\u015f a\u00e7\u0131lar\u0131yla ele al\u0131nd\u0131\u011f\u0131 panel, izleyicilerin de\u011ferli soru ve yorumlar\u0131yla da zenginle\u015fti.<\/p>\n\n\n\n


Birinci Oturum<\/strong><\/p>\n\n\n\n

Panelin a\u00e7\u0131l\u0131\u015f konu\u015fmas\u0131n\u0131 Me\u015fher Direkt\u00f6r\u00fc Nil\u00fcfer H. Konuk <\/strong>yapt\u0131. Panelin ilk oturumu, serginin k\u00fcrat\u00f6rlerinden Ebru Esra Sat\u0131c\u0131<\/strong> moderasyonunda ger\u00e7ekle\u015fti.<\/p>\n\n\n\n

\u201c\u0130stanbul, d\u0131\u015far\u0131dan nas\u0131l g\u00f6r\u00fcld\u00fc\u011f\u00fcyle ilgilenen bir \u015fehir\u201d<\/strong><\/p>\n\n\n\n

Mimar ve mimarl\u0131k tarihi profes\u00f6r\u00fc Zeynep \u00c7elik<\/strong>, \u201cBir Serginin \u00d6ne \u00c7\u0131kard\u0131\u011f\u0131 Sorular\u201d ba\u015fl\u0131kl\u0131 konu\u015fmas\u0131nda, Bat\u0131l\u0131 yazarlar\u0131n ve sanat\u00e7\u0131lar\u0131n \u0130stanbul\u2019a bak\u0131\u015f\u0131n\u0131 oryantalizm kavram\u0131 \u00e7er\u00e7evesinde de\u011ferlendirdi. Voltaire, Virginia Woolf ve mimar Le Corbusier gibi isimlerin \u0130stanbul \u00fczerine kurduklar\u0131 tahayy\u00fclleri analiz eden \u00c7elik, \u0130stanbul\u2019un s\u00fcrekli d\u0131\u015far\u0131dan nas\u0131l alg\u0131land\u0131\u011f\u0131yla ilgilenen bir \u015fehir oldu\u011funu \u00f6ne s\u00fcrd\u00fc. Bu ba\u011flamda \u201cNeden Paris gibi \u015fehirlerin b\u00f6yle bir ilgisi yok?\u201d sorusunu g\u00fcndeme getirerek, \u0130stanbul\u2019un k\u00fclt\u00fcrel temsillerdeki \u00f6zg\u00fcn konumuna dikkat \u00e7ekti.<\/p>\n\n\n\n

\u201cE\u015fik Kent\u201d \u0130stanbul<\/strong><\/p>\n\n\n\n

Akademisyen ve proje direkt\u00f6r\u00fc Leman Y\u0131lmaz, \u201c\u0130stanbul: Gizemin Oda\u011f\u0131nda Bir Labirent Kent\u201d ba\u015fl\u0131kl\u0131 konu\u015fmas\u0131nda, \u0130stanbul\u2019un polisiye romanlardaki i\u015flevini mercek alt\u0131na ald\u0131. \u015eehrin bu t\u00fcrde yaln\u0131zca bir dekor de\u011fil, bir karakter gibi i\u015flendi\u011fini belirten Y\u0131lmaz, Do\u011fu ve Bat\u0131\u2019n\u0131n kesi\u015fim noktas\u0131 olarak \u0130stanbul\u2019un romanlarda nas\u0131l bir e\u015fik kent haline geldi\u011fini \u00f6rneklerle g\u00f6sterdi. \u015eark Ekspresi ve James Bond gibi k\u00fclt metinlerde \u0130stanbul\u2019un oynad\u0131\u011f\u0131 roller \u00fczerinden, kentin gizemli, ge\u00e7i\u015fken do\u011fas\u0131n\u0131 vurgulad\u0131.<\/p>\n\n\n\n

\u201c\u0130stanbul \u0130mgelerine Akademik Bir Bak\u0131\u015f\u201d<\/strong><\/p>\n\n\n\n

Edebiyat ele\u015ftirmeni ve akademisyen Jale Parla<\/strong>, \u201cBir Sergiden An\u0131lara Yolculuk\u201d ba\u015fl\u0131kl\u0131 konu\u015fmas\u0131nda, Bat\u0131 edebiyat\u0131ndaki T\u00fcrk ve \u0130stanbul imgelerine kendi ki\u015fisel ve akademik ge\u00e7mi\u015fi \u00fczerinden yakla\u015ft\u0131. Lord Byron\u2019\u0131n eserlerinden hareketle 19. y\u00fczy\u0131ldaki oryantalist tahayy\u00fcl\u00fcn nas\u0131l kuruldu\u011funu inceleyen Parla, \u0130stanbul\u2019un bu tahayy\u00fcldeki rol\u00fcn\u00fc hem edebi hem de duygusal bir bak\u0131\u015fla yorumlad\u0131. Sergideki eserlerin, bellekteki imgeleri nas\u0131l harekete ge\u00e7irdi\u011fini kendi deneyimi \u00fczerinden aktard\u0131.<\/p>\n\n\n\n

\u0130kinci Oturum<\/strong><\/p>\n\n\n\n

Panelin ikinci oturumu, serginin k\u00fcrat\u00f6rlerinden \u015eeyda \u00c7etin<\/strong> moderasyonunda ger\u00e7ekle\u015fti.<\/p>\n\n\n\n

\u201cE. Milok\u2019un \u0130zinde\u201d<\/strong><\/p>\n\n\n\n

Orkestra \u015fefi ve m\u00fczisyen Nisan Ak<\/strong>, \u201cBir Nota Kapa\u011f\u0131ndan Ba\u015flayan Macera\u201d ba\u015fl\u0131kl\u0131 konu\u015fmas\u0131nda, 1920\u2019lerde \u0130stanbul\u2019da ya\u015fam\u0131\u015f, zamanla unutulmu\u015f bir besteci olan E. Milok\u2019un (Emil Hauck) izini s\u00fcrd\u00fc\u011f\u00fc \u00e7al\u0131\u015fmas\u0131n\u0131 anlatt\u0131. Hik\u00e2ye \u0130stanbul\u2019da Ge\u00e7iyor<\/em> sergisinde yer alan Pera<\/em> ba\u015fl\u0131kl\u0131 nota kitap\u00e7\u0131\u011f\u0131ndan hareketle ba\u015flad\u0131\u011f\u0131 bu ara\u015ft\u0131rma, Milok\u2019un \u0130stanbul\u2019a ve \u00f6zellikle Pera\u2019ya dair m\u00fczikal yorumlar\u0131n\u0131 ortaya koyuyor. Ak, bestecinin Tango Orientalle<\/em>, Belk\u0131s<\/em>, Esmerim<\/em>, \u00c7apk\u0131n (Tchapkine)<\/em> ve Mustafa Kemal Mar\u015f\u0131<\/em> gibi eserleri \u00fczerinden, \u0130stanbul\u2019un unutulmu\u015f m\u00fczik miras\u0131na dikkat \u00e7ekti. Konu\u015fman\u0131n sonunda izleyiciler E. Milok\u2019un Pera<\/em> ve Mustafa Kemal Mar\u015f\u0131 <\/em>eserlerini Nisan Ak’\u0131n piyano kay\u0131tlar\u0131ndan dinleme \u015fans\u0131n\u0131 da yakalad\u0131.<\/p>\n\n\n\n

\u201c\u0130stanbul\u2019un \u00c7ok Katmanl\u0131 Yap\u0131s\u0131\u201c<\/strong><\/p>\n\n\n\n

Grafik tasar\u0131mc\u0131 ve sanat y\u00f6netmeni Sad\u0131k Karamustafa<\/strong>, \u201cBen \u0130stanbul\u2019a Denizden D\u00fc\u015ft\u00fcm\u201d ba\u015fl\u0131kl\u0131 konu\u015fmas\u0131nda, grafik tasar\u0131m\u0131n \u0130stanbul\u2019la olan ili\u015fkisini ki\u015fisel deneyimleri ve g\u00f6rsel haf\u0131zadan yola \u00e7\u0131karak de\u011ferlendirdi. Amin Maalouf\u2019un Do\u011fu\u2019dan Uzakta<\/em> roman\u0131n\u0131 bir \u00e7\u0131k\u0131\u015f noktas\u0131 olarak kullanan Karamustafa, \u0130stanbul\u2019un \u00e7ok katmanl\u0131 yap\u0131s\u0131n\u0131 ve tasar\u0131m alan\u0131ndaki yans\u0131malar\u0131n\u0131 ele ald\u0131. T\u00fcrkiye\u2019de grafik tasar\u0131m e\u011fitiminin geli\u015fiminde \u00f6nemli bir yer tutan Grafist etkinli\u011finin kurulu\u015f s\u00fcrecini aktararak, bu etkinlik sayesinde farkl\u0131 \u00fclkelerden tasar\u0131mc\u0131 ve e\u011fitimcilerin \u0130stanbul\u2019a geldi\u011fini, buradan bir \u201cGrafist ku\u015fa\u011f\u0131\u201d do\u011fdu\u011funu ifade etti.<\/p>\n\n\n\n

\u201cHer Seferinde Yeni \u015eeyler Sunan Bir \u015eehir\u201d<\/strong><\/p>\n\n\n\n

Yazar ve gazeteci El\u00e7in Poyrazlar<\/strong>, \u201cRomanc\u0131 Biraz da Casustur\u201d ba\u015fl\u0131kl\u0131 konu\u015fmas\u0131nda, casusluk edebiyat\u0131nda \u0130stanbul\u2019un nas\u0131l bir karaktere d\u00f6n\u00fc\u015ft\u00fc\u011f\u00fcn\u00fc ve Do\u011fu-Bat\u0131 ekseninde nas\u0131l kurguland\u0131\u011f\u0131n\u0131 inceledi. Graham Greene ve Ian Fleming\u2019in romanlar\u0131 ba\u015fta olmak \u00fczere, casusluk t\u00fcr\u00fcnde \u015fehirlerin yaln\u0131zca birer fon de\u011fil, aktif birer anlat\u0131 unsuru oldu\u011funu vurgulayan Poyrazlar, \u0130stanbul\u2019un bu t\u00fcrdeki rol\u00fcn\u00fc entrika, belirsizlik ve d\u00f6n\u00fc\u015f\u00fcm \u00fczerinden okudu.<\/p>\n\n\n\n

\u201cKi\u015fisel Bir \u0130stanbul Anlat\u0131s\u0131\u201d<\/strong><\/p>\n\n\n\n

Oyuncu Tilbe Saran<\/strong>, \u201cBir \u00c7ocuk Y\u00fcz\u00fc, Bir Sokak Ad\u0131, Bir Kitap Sayfas\u0131\u2026\u201d ba\u015fl\u0131kl\u0131, panelin son konu\u015fmas\u0131nda 1960\u2019lardan 80\u2019lere uzanan ki\u015fisel bir \u0130stanbul anlat\u0131s\u0131 sundu. \u015eehrin ge\u00e7mi\u015findeki detaylar\u0131, semtlerin d\u00f6n\u00fc\u015f\u00fcm\u00fcn\u00fc ve toplumsal bellekteki kar\u015f\u0131l\u0131klar\u0131n\u0131 \u00e7ocukluk an\u0131lar\u0131yla birle\u015ftirdi. Sahne ve sinema ge\u00e7mi\u015finden izler ta\u015f\u0131yan bu sunum, belle\u011fin kentsel d\u00f6n\u00fc\u015f\u00fcmle nas\u0131l i\u00e7 i\u00e7e ge\u00e7ti\u011fine dair duygusal bir g\u00fczerg\u00e2h \u00f6nerdi.<\/p>\n\n\n\n

Her iki oturumda da konu\u015fmac\u0131lar\u0131n sunumlar\u0131n\u0131n ard\u0131ndan soru-cevap b\u00f6l\u00fcm\u00fc d\u00fczenlendi. <\/p>\n\n\n\n

Sergi, 18 Ocak 2026\u2019ya kadar g\u00f6r\u00fclebilecek<\/strong><\/p>\n\n\n\n

Hik\u00e2ye \u0130stanbul\u2019da Ge\u00e7iyor, <\/em>Bat\u0131 edebiyat\u0131n\u0131n farkl\u0131 t\u00fcrlerinde yer alan \u0130stanbul temsillerine odaklan\u0131yor, \u015fehrin ba\u015fta edebiyat olmak \u00fczere di\u011fer yarat\u0131c\u0131 alanlar \u00fczerindeki ilham verici etkisini g\u00f6zler \u00f6n\u00fcne seriyor. \u00d6mer Ko\u00e7 Koleksiyonu\u2019ndan yakla\u015f\u0131k 300 kitab\u0131 merkezine alarak, fantastik \u00f6yk\u00fclerden bilimkurguya, grafik romanlardan casusluk hik\u00e2yelerine uzanan geni\u015f bir se\u00e7ki sunan bu sergi, 18 Ocak 2026\u2019ya kadar Me\u015fher\u2019de g\u00f6r\u00fclebilecek.
<\/p>\n","protected":false},"excerpt":{"rendered":"

Me\u015fher,\u00a0Hik\u00e2ye \u0130stanbul\u2019da Ge\u00e7iyor\u00a0sergisi kapsam\u0131nda \u201c\u00c7a\u011fr\u0131\u015f\u0131mlar\u201d ba\u015fl\u0131kl\u0131 panelin ikincisini d\u00fczenledi. Panelde, farkl\u0131 disiplinlerden uzman isimler, serginin kendilerinde b\u0131rakt\u0131\u011f\u0131 izleri ve deneyimlerini payla\u015f\u0131rken, \u0130stanbul\u2019un sanat\u0131n \u00e7e\u015fitli alanlar\u0131nda…<\/p>\n","protected":false},"author":6,"featured_media":7227,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_customify_content_layout":"","_customify_sidebar":"","_customify_page_header_display":"default","_customify_disable_header":"","_customify_disable_header_top":"","_customify_disable_header_main":"","_customify_disable_header_bottom":"","_customify_disable_page_title":"","_customify_disable_content_vertical_padding":"","_customify_disable_footer_top":"","_customify_disable_footer_main":"","_customify_disable_footer_bottom":"","_customify_breadcrumb_display":"","_customify_header_transparent_display":"","footnotes":""},"categories":[16],"tags":[],"class_list":["post-7226","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-haber"],"_links":{"self":[{"href":"https:\/\/www.mallandmotto.com\/index.php\/wp-json\/wp\/v2\/posts\/7226","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.mallandmotto.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.mallandmotto.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.mallandmotto.com\/index.php\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/www.mallandmotto.com\/index.php\/wp-json\/wp\/v2\/comments?post=7226"}],"version-history":[{"count":1,"href":"https:\/\/www.mallandmotto.com\/index.php\/wp-json\/wp\/v2\/posts\/7226\/revisions"}],"predecessor-version":[{"id":7228,"href":"https:\/\/www.mallandmotto.com\/index.php\/wp-json\/wp\/v2\/posts\/7226\/revisions\/7228"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.mallandmotto.com\/index.php\/wp-json\/wp\/v2\/media\/7227"}],"wp:attachment":[{"href":"https:\/\/www.mallandmotto.com\/index.php\/wp-json\/wp\/v2\/media?parent=7226"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.mallandmotto.com\/index.php\/wp-json\/wp\/v2\/categories?post=7226"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.mallandmotto.com\/index.php\/wp-json\/wp\/v2\/tags?post=7226"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}